Last week, my friend Christina and I went strawberry picking. I like Christina. Christina is sharp and funny and unassuming enough to regularly surprise you as you get to know her over time. She’s one of the maybe three friends I’ve ever had who is a twin. I’ve always wished I were a twin. People sometimes mistook my brother and me for twins (do you see it?) but, as his knee-jerk reaction has always been sheer and absolute horror when these assumptions have been made, I think it’s safe to say I’m the only one flattered there. I met Christina’s twin, Nicole, a few months ago over tacos at a table barely as wide as a paperback book; I liked her, too.
Hi, gang. Today’s post is something of a bonus for the week because it’s actually a guest post published over at the ever beautiful, truly inspiring g0lubka blog. While they’re in the midst of editing an upcoming cookbook (set to publish in 2014!), Anya’s been gathering a series of guest posts from fellow bloggers for her site. The first, published last week, featured truly stunning lemon tarts from another talent you may recognize, the lovely Laura of The First Mess, and it had us salivating.
Anyway, we’re so honored to post at g0lubka because it is a site defined by beauty, whole foods and a wonderful perspective that embraces the idea of trying new foods and knowing when to be flexible. In our post today, we’re sharing a super simple garlic onion veggie dip, which was truly Tim’s brainchild. The base isn’t sour cream or yogurt, but, are you ready for this, cashews—and, trust me when I tell you, it’s good enough to eat with a spoon!
Read the post and check out the recipe over at g0lubka, and then set aside a little time to look around—if you’re like me, you’ll find plenty of recipes to bookmark and try.
I should start off by telling you my blog friend Megan doesn’t call this recipe curry in a hurry. Curry in a hurry is what I call it—because, my friends, this is a curry that can be on the table in 10 to 15 minutes flat. If the rice and vegetables are cooked ahead of time, or, at least, cooked while you’re off doing something else, dinner prep is barely dinner prep. Dinner prep is as mindless as reheating leftovers or buying one of those ready-made things you dump into a pan on the stove. Dinner prep takes less time than it takes to go pick up takeout, watch an entire sitcom or, you know, blowdry my thick head of hair (which is why I rarely do). Read more…
I go to used bookstores for the same reason I look into windows when we’re driving down residential streets at night: I like to imagine the people inside. The same way I fix my gaze on the warm glow of a table illuminated by candlelight or the man who’s sitting in his recliner all alone, I pick up a hardcover, tracing over the handwriting, wondering about the person who underlined that passage or the reader who signed her name in this front flap.
This might be what I love about the first-edition copy of The Art of Mexican Cooking, written by Jan Aaron and Georgine Sachs Salom, that I found at McKay Used Book Store Friday Night. Published in 1965, this beauty has all the earmarks of another era, one in which American women still wore skirts and aprons to make dinner and in which Mexican food (along with other ethnic cuisines) was just beginning to enter the conversation.
There are hand-drawn illustrations at the division pages, created by artist Dierdre Stanforth, the same woman who did illustrations for a Betty Crocker cookbook two years later and for books on New Orleans after that. I’d never thought much about book illustrations until recently, when we went and made an ebook and hired the amazing Rebekka Seale to create the cover—now I notice them everywhere I look: on blogs, on Pinterest, when I’m flipping through the thick pages of my new vintage book.
Over the last few nights, reading The Art of Mexican Cooking before bed, usually out loud to Tim, along with continually remarking that “This entire recipe is a paragraph! One paragraph! These directions kill me!,” I’ve also been thinking about the woman who drew the maps in the front and back pages and who sketched two large pots of soup in front of Mexican tiling.